HOMESICK FOR ANOTHER WORLD
By Ottessa Moshfegh
Penguin Press, January 17, 2017
There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her charactersare all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
“Homesick for Another World is an impressive study of human vulnerability and self-deception, through which the reader is guided by a cynical and darkly funny literary voice.” —1843 Magazine
“Expertly crafted stories . . . There’s not a throw-away story in the collection. Each resonates with seemingly effortless, ineffable prose, rarely striking an inauthentic note—particularly memorable are the endings, which often land to devastating effect. The author’s acute insight focuses obsessively, uncomfortably, humorously on excreta, effluvia, and human foible, drilling to the core of her characters’ existential dilemmas. Moshfegh is a force.” — Publishers Weekly (starred)
“[Moshfegh] is fearless in her probing of her characters’ emotional wounds, proceeding with such a sure touch readers are compelled, not repelled. The directness of her style demands that we register the life 'stuffed between the mattress and the wall.' While it is not always an easy read, this collection will leave readers with a sharper, more compassionate sense of the human condition.” — Booklist (starred review)
"A smartly turned and admirably consistent collection about love and its discontents." — Kirkus
About the Author
Ottessa Moshfegh is a fiction writer from New England. Her first book, McGlue, a novella, won the Fence Modern Prize in Prose and the Believer Book Award. Her short stories have been published in The Paris Review, The New Yorker, Granta, and have earned her a Pushcart Prize, an O. Henry Award, the Plimpton Discovery Prize, and a grant from the National Endowment for the Arts. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction.